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Wednesday
06May

Top Ten Crime Novel from Booklist

Joshua Corin's wonderful Nuclear Winter Wonderland was awarded as one of the TEN TOP CRIME debuts from American Library Association's Booklist Photobucket From Booklist: Nuclear Winter Wonderland. By Joshua Corin. 2008. Kunati, paper, $15.95 (9781601641601). After his twin sister is kidnapped by a strange man with plans involving a nuclear device, Adam Weiss joins forces with a former Mob enforcer and a Croatian female clown (who only speaks Spanish) to track down the maniac. This richly comic thriller is surreal without being silly and wonderfully playful in its use of language. Nuclear Winter Wonderland also scored a rare STARRED REVIEW from the same venerable trade magazine."Nuclear large


Screenshot Photobucket Darrin, John (author). May 2009. 416p. Kunati, hardcover, $24.95 (9781601641687). REVIEW. First published May 1, 2009 (Booklist). It was only a matter of time before someone took that next step in the digital world: murder, broadcast over the Internet for all the world to see. First a drug lord goes down, then a pedophile, then a mobster. The public is at once incensed and intrigued; the vigilante aspect-the victims are bad guys, after all-somehow makes the spectacle less appalling and adds to the sicko entertainment factor. When the killer announces that he will accept bids for the right to pull the cybertrigger for the next execution, the online world ponies up. The only ones who can stop the madness, apparently, are disgruntled FBI investigator Karen, freelance journalist Seth, and gifted but overlooked scientist Dr. Sicals. The unlikely trio joins forces to prevent further killings, and the pursuit keeps readers on the edge of their seats. The central question of whether killing one for the greater good of many should be tolerated is treated with a bit of a heavy hand, but the author's message doesn't distract overmuch from what is a satisfying debut thriller. — Mary Frances Wilkens BOOKLIST


LET THE SHADOWS FALL BEHIND YOU by Kathy-Diane Leveille Let the Shadows Fall Behind You Kathy Diane-Leveille Brannagh Maloney, a young woman who has fled her New Brunswick home for university and a new life, is hired as a cataloger on a naturalist expedition in northern Ontario. She has a lot to leave behind. Her childhood was marked by a series of family disappearances and two murders. In a far from normal home environment, her grandfather treated mental patients on the top floor of their house and there was a hint of madness in her own family. The delight and fulfilment she finds in her new wilderness life despite its physical challenges, falls apart when her lover Nikolai disappears. Has he abandoned her, or is his disappearance the result of foul play? Distraught, she reluctantly returns to St John for a reunion with three close women friends who pledged undying love and support for each other in childhood as the Tuatha-de-Danaans (the faeries of Ireland). However her return and the interaction with her friends revive the emotional trauma she had hoped to leave behind. Brannagh's current sense of abandonment by her lover makes her even more vulnerable to the unresolved mysteries surrounding the deaths of her parents and the nature of the family madness. The novel is more about the past than the present as it navigates back and forth through time. Brannagh is tempted to run away again as the reunion with her friends proves more challenging than comforting. She stays and answers concerning the past eventually emerge as she deals with the complex interrelationships between her friends and surviving family members Leveille's descriptive writing evokes the beauty of nature and she creates an interesting cast of characters. For example, Brannagh who is really quite a feisty woman is also an artist whose bird sketches are an important contribution to the naturalist survey. Annie, perhaps her closest friend, had been one of her grandfather's patients and herself becomes a doctor. On the other hand, the "shadows" really take over in this book. There are almost too many aspects of the story to follow, particularly when dealing with the past. And the last minute resolution of the present mystery seems almost too good to be true. It is the quality of the writing that makes the read worthwhile. SHADOWS is Leveille's first novel. As a well written but convoluted Gothic tale involving a complex list of characters, it is a very promising debut. Reviewed by Ann Pearson, April 2009 http://www.reviewingtheevidence.com


Five Stars on Aeclectic Tarot Review by Solandia Photobucket The Touchstone Tarot is the second deck from Australian artist, Kat Black. She and Kunati, the publishers of the mass-market edition, have done the impossible and equalled – even surpassed – the high benchmark set by the Golden Tarot. This is a thoroughly people-focused deck - its apt catchphrase is ‘78 friends you hold in your hand’. Drawn from historical portraits and Baroque and Renaissance paintings and melded into tarot scenes, the people are individual, immediate, and subtly expressive, displaying a range of emotion and instantly recognisable feeling. The Devil is, well, devilishly seductive, inviting you to give in to temptation. The pain and dissatisfaction in the face of the Five of Cups is palpable. The Queen of Swords is perfect, a richly dressed, regal and intelligent woman, but she looks tough and unforgiving, even a little cold. I particularly like the High Priestess, who has an otherworldly look (pale skin, large light eyes, Mona Lisa smile), as though she is the physical bridge between the real and spiritual worlds. There is a such a mix of faces across the deck, all with their individual and appropriate characters - some even look just like people I know in real life. Some cards give an interesting spin on the typical symbolism. The Emperor looks competent, but a bit grim, as though responsibility lies heavily on his shoulders. The Ten of Wands is the opposite: she looks accepting of her burden and is apparently carrying it without difficulty. The woman in the Three of Swords (not a card that normally shows a person) looks shocked and dazed, like she’s just received terrible news but is it yet to sink in. The Page of Swords especially is unusual; he looks bored and uninspired rather than sharp and snappy (perhaps he’s just bored of being inside). Opening the shrink-wrap on the Touchstone Tarot set, there is a solid matte box that opens from the front like a book. Inside lies the companion book, and underneath are the gilt-edged cards. There are 80 cards included in the set: the 78 standard cards, the Happy Squirrel card, and the Touchstone Tarot artist card (not for reading). The gilt-edged cards are big, not quite 9cm by 13cm, much bigger than the cards in Kat’s original limited edition run of the Touchstone. These cards are also lighter and the colour slightly less saturated, which means it is easier to make out details in the shadows. More here...


"A grippingly original thriller" BOOKLIST Photobucket Sleepers Awake. McNulty, Patrick (Author) May 2009. 272 p. Kunati, hardcover, $22.95. (9781601641663). "Adapted from his unfilmed screenplay, McNulty’s first novel takes on the familiar horror conventions of ghosts and demons and spins them into a grippingly original thriller. In the remote Alaskan village Danaid, an epic battle between the undead and an evil creature known as the Zijin is about to reach a climax. Bishop Kane is an undead bounty hunter, rescued from the grave decades ago by departed spirits called Wraiths. When the Ministry of Wraiths learns that the Zijin’s parasitic leader, the exotically beautiful Petra, is holed up in Danaid, Bishop hurries to the town fully armed. Yet Petra is not only Bishop’s longvanished daughter but the wife of Danaid’s sheriff, Sean Berlin. After Sean witnesses Bishop’s foiled attack on Petra, it will take many dead townspeople before Bishop can convince Sean to join forces with him. McNulty’s debut hits more than a few rough spots in keeping the story line afloat above nonstop flashing knives and claws, but readers who enjoy gore-laden horror will relish it."

Monday
11Feb

Derek Armstrong on Publisher Insider Blog at ForeWord Magazine

This week, a “close friend” of O.J. Simpson offered Kunati—a publisher focused on “controversial and provocative books”—a tell-all book project: “O.J. told me that I was the only man he was comfortable enough to talk openly with. Web of Controversy will remove the public facade of O.J. Simpson.” Nice friend. More O.J. controversy. Will it sell? Almost certainly.

Condemning Controversy?

Why are readers receptive to controversy? Judging from a report I received this week—the Library Open Access report “Tracking Challenges in Libraries: 2007 Results”—the opposite is true. Patrons are vocal in condemning anything notorious or contentious. It seems that some library patrons would bring back book-burning. So, why do Kunati’s provocative books sell so well? Why do controversial books such as The Da Vinci Code become bestsellers? How is it that publishers can turn controversy into bestsellers and provocation into opportunity when some readers seem vocally in favor of censorship?

Violence, Racism and Promoting Witchcraft

The easy answer seems to be the power of the silent majority—enlightened readers—voting for freedom and fun with their wallets. Librarians, publishers and booksellers continue to offer these books despite a vocal minority. Among the condemned titles from library patrons in the “Challenges” report were: Oliver Twist (for violence), Brer Rabbit and Tar Baby Girl (for racism), and—of course—Philip Pullman’s Golden Compass for religious viewpoints. I recall Harry Potter being on a previous list for “promoting witchcraft.” The list of 36 “patron condemned” books in the 2007 list included my favorite classics, making me wonder if this is indeed a 2007 report. Fortunately, the librarians—stewards of free thought—denied all requests to “burn” or remove books.

What’s so Controversial?

A quick analysis of this most entertaining report from librarians shows the most common reasons for requests to “pull” books off library shelves, in order of prominence, were: homosexuality, religious viewpoint, sexually explicit language, violence, offensive language. Thank goodness for librarians, otherwise all of my own novels would be burned:

  • The Game: let’s see, explicit violence, offensive language—it is a thriller, after all
  • The Last Troubadour: ah, religious viewpoint for its portrayal of the Cathars as heroes and the Inquisition as evil?
  • MADicine: oh, probably everything on the no-no list.

I suppose I’d be in good company with nearly all of Kunati’s popular books—including a Pulitzer Prize-winning author and a NY Times bestseller. Not to mention the rest of the “challenges” list: Exit to Eden, The Monkey King, Perks of Being a Wallflower, Rainbow Boys, Fly on the Wall, and the entire religion-based bestselling Left Behind series.

Steve Jobs says, “No One Reads Anymore.”

It seems that Apple’s Steve Jobs believes “people don’t read anymore.” The computer guru declared in his keynote at MacWorld 2007 that Amazon’s new e-ink reader was “dead on arrival” with a sweeping, and inaccurate, statistic: “It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore. Forty percent of the people in the U.S. read one book or less last year.” Good to know, Steve. I guess Job’s forty percent only read controversial books?

According to a landmark study of 10,800 Americans by Persona Corp in 2007: 30.6% “Can’t live without books”; 23.4% “LOVE books”; 20.9% “Read regularly”—totaling 74.9% of all Americans. I guess it depends on whether you make phone gadgets or publish books which survey you trust, although a quick look at actual book sales indicates Persona’s study is closer to the right number.

Book Sales Over 36 Billion Net in 2007

Net revenues on book sales, according to The Book Standard, were up another billion dollars to $35.69 billion net sales in 2006 and another 1% up in 2007....

 READ THE REST OF THE FEATURE HERE at ForeWord Magazine...

Tuesday
02Oct

Tarot Connections podcast features Derek Armstrong speaking on Tarot Cards and The Last Troubadour novel

Photo Sharing and Video Hosting at Photobucket Photo Sharing and Video Hosting at Photobucket

Pictured: Left, Derek Armstrong with his horses Skugga and Bjarta, who became Izzy and Wizzy in The Last Troubadour novel (shown right)

"You were full of juicy tarot information," said Leisa ReFalo, host of the popular podcast on tarotconnection.net and professional Tarot Reader. What fun. I chatted with Leisa for an hour about my love of Tarot, and — according to Leisa, anyway — I had "no terrible speech habits. I thought you sounded great." Okay, I feel a little better. I'm not Mr. Radio. There's a reason I became an author.

In that quick hour, Leisa squeezed in a lot of Tarot history, a reading from the novel, a bio of all the characters and how they relate to Tarot card trumps, and a whole lot of funky history. I'll just quote from her page, found at : http://tarotconnection.net/episode-59/ (I guess I'm episode 59!) —

"So, is this a clever gimmick? Just an author who thought one day, Hey, this hasn’t been done before? Does he even own a Tarot deck?I did not undertake The Last Troubadour lightly. The entire trilogy was a journey of some 18 years. Carcassonne and the south of France are my old haunts, where I explored the history in depth. An important history.
Nor is Tarot a passing fancy for me. My first deck was a Pixie, bought with part-timer earnings after school back in 1972. I’m obviously much older now, and I still have my Pixie, and some 112 other decks. Current favorites include Thoth (bought in 1974), Kat Black’s Golden, Place’s Buddha Tarot, Carol Herzer’s Illuminated, and a dozen others. I actually almost always have a deck in my pocket.

Why do I weave the mystical and legend with history? Well, why not? It’s fun, isn’t it? But more important, it’s a way of conveying important events that is entertaining and at the same time “real.” What better way for me to personally explore Tarot cards and archetypes and to convey some of what I’ve learned. The journey of the Fool is my favorite aspect of Tarot. It’s actually the plotline of all great epic fiction.

So, one day, two decades ago, I meditated on The FOOL in my very old Pixie (Rider Waite Smith) deck and he came to life. He became Ramon Troubadour. His journey became a novel-journey through the tarot major arcana. I actually named him Ramon, after researching Doctor Illuminatus, otherwise known as Ramon Lull, author of 320 books written at the time of my novel (the thirteenth century). He even had a character in his most famous book, Blanquerna, name Ramon the Fool. Wow.

All of my books have Tarot themes in them, some dark, some light. The Game, my hit thriller features a humorous “fool” character in the always-joking Alban Bane character. He was so popular, fans demanded a sequel, which comes out spring 08 as MADicine. This series is a blend of satire, comedy and thriller – bloody fun, quite literally.
The Last Troubadour and the other two books of the series, The Last Quest and The Last Stand, are “dripping with Tarot themes.” Most of the early fans are tarot-enthusiasts. Nevara, my Magician character, is my “fictional” inventor of Tarot. Each character is a major arcane archetype. And, of course, the epic journey is the archetypal journey of The Fool. To which, I added real history, substantial satire (targeting in particular the latest craze for Holy Grail themes), comedy and adventure – shaken not stirred.

Next year, with any good fortune, you’ll start to see these characters in Troubadour-style imagery as famed artist Kam Wai Yu illustrates the Troubadour Tarot, a dream of mine, to be published by Kunati. I hope you’ll take the journey with me."
Leisa explored why some characters are disfigured and had me read from the most "tarot-oriented" chapter in the book, a scene with my Magician, Nevara, reading from her invented Tarot cards and using them to help the main character Ramon with her magick. What fun.

Here's the synopsis of the book from Leisa's page:

"Ramon Troubadour returns to his devastated home city of Carcassonne to rescue the holy Dame of the Cathars from the flames of the Inquisition. His famous voice and sense of humor help him make new allies in his quest to prevent a bloody crusade.

Only the Dame knows the secret of the holy relic of Montségur. A king will go to war for the relic. A dying pope will kill for it.

Helped by a nameless one-eyed knight, a fighting damsel, a witch and a circus of colorful entertainers on dancing horses, Ramon must stand against a terrifying army led by Death incarnate, complete with archetypal scythe.
Based on the true history of the Inquisition and the legend of the Tarot, The Last Troubadour assembles a magnificent cast right out of the Tarot deck: the Fool, the Magician, The Emperor, The Pope, Death and even The Devil. Don’t miss this tale of knightly valor, Tarot symbolism, tragic history and exciting quests."

A bit of cool history on her page as well. She put up the original 1980's book trailer — the first trailer ever created, by the famous artist Kam Wai Yu — along side my publisher Kunati's latest version 2007. The original one was more Monty Python — I do so love humor — and the new one is more Tarot. I'd be interested in knowing which one people liked better (drop me an email at my website http://www.lasttroubadour.com).

Check it the podcast at http://tarotconnection.net/episode-59/

Wednesday
12Sep

Tarot Community Enjoys The Last Troubadour

"Kudos to Derek Armstrong ... this is a wonderful work of art, and I highly recommend it to all who are interested in the Tarot, in the history of the 13th century, and in a mystery that crosses many boundaries!" Bonnie Cehovet, Aeclectic Tarot Reviewer


Ultimately, I wrote The Last Troubadour out of my thirty-five year passion for all things Medieval, the Cathars -- and the Tarot. Tarot addiction, I call it. Nothing to be ashamed of. I've collected decks since 1972. The Last Troubadour is first and foremost an epic fiction adventure and the quest of the hero. In my opinion, any hero's quest, from The Lord of the Rings to The Iliad the Tarot archetypal Fool's Quest.

Yet I remained nervous of the Tarot community. Nothing inspires more passion than Tarot archetypes amongst those who live and breathe Tarot as I do. Would the community love or hate my fictional epic? A review on Aeclectic, the largest online community of Tarot fans seems to indicate some early approval. The review is by Bonnie Cehovet, a well known personality in the Community and a major book and deck reviewer in her own right. You'll find it here! Thank you Bonnie! I won't reproduce it here due to copyright, other than a little snip I'm rather delighted to quote:

"There is such magic in this book...it combines humor, mystery and history in delightful proportions" Thank you Bonnie! (You can find out more about Bonnie here)



Monday
06Aug

The Last Troubadour Weaves Tarot Legend with Historical Magic

Song-by-Kam.gifMy historical epic historical adventure, three books in the Song of Montségur epic, finally releases this fall from Kunati after 20 years of research, multiple publisher offers and a considerable buzz. Song of Montségur has history, too. Kam Wai Yu invented the animated novel trailer, the first book video (click here to play the eighties original -- then here to play the revised 2007 version!), back in the eighties for this epic adventure. It's a classic!

 Why the buzz? Well, aside from grand adventure, knights templars, Holy relics, holy wars, burning pagans and heretics, genuine acts of heroism and historical treasures, we have — perhaps for the first time in this fun format — a history of the Tarot told through colorful characters and events.

This is an excerpt from the introduction to The Last Troubadour, first of the books in the trilogy:

Song of Montségur recalls the rise of the brutal monastic Inquisition in the South of France, an epic story of heroes and villains of the 13th century. Rather than spin a dark tale of glory and death, I fancifully retell these momentous events with your reading pleasure as my goal: two cups adventure, a pound of real history, a large dollop of humor, a dash of tragedy and hopefully enough mystical juice to create a buzz, roasted over a fire of heretics and witches. Enjoy!

From The Silver Dame of Montségur to the terrible witchhunter Diableteur, all of my larger-than-life characters are drawn from history. Many legends (and half-baked histories) associate the development of the Tarot cards with the Cathar heresies and this period in history. In The Last Troubadour, you will meet my “inventor” of the first tarot deck, Nevara of the Baug Balar “circus” and the characters from history that inspired her deck. Although we know the full decks appeared around this time—the four-suited Turuq came earlier—associating Nevara with major trumps of the Tarot is pure imagination. All major characters and events are historical, fancifully dressed up here with Tarot attributions:

Justice.jpgThe Fool
Ramon, last of the Occitan’s famous heretical troubadours

 

The Magician
Nevara, the albino pagan sorceress of the Baug Balar “circus”

The Priestess
Dame Esclarmonde de Foix, the High Lady of the Cathar Christians

The Empress
Magba, the ever-pregnant mother of the Baug Balar entertainers

The Emperor
Hugh d’Arcis, conquering Viscount of Carcassonne

The Hierophant (Pope)
Cardinal Sinibaldo Fiesco, the future Pope Innocent IV

The Lovers
The Grand Duo, the famous rebels Doré the bastard and Osric the hammer

The Chariot
Arnot, the disenfranchised Templar

Justice
Perce de Mendes, too-loyal squire of the famous Cyclops Seigneur

The Hermit
Guilhem d’Alions, the ancient Perfectus  of the Cathars

Fortune
Adelais, the rebellious daughter of the conquering Viscount of Carcassonne

Strength
Seigneur, the “Cyclops” one-eyed crusader

The Hanged Man
The suicidal Dominican monk, Brother Jaie

Death
The Diableteur, feared witch-hunter

Temperance
Atta and Hatta, the Baug Balar twins 

The Devil
Archbishop Peter Amiel of Narbonne, worldly leader of the crusaders